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	<title>GalleryBeat &#187; &#8220;Whitney Biennial&#8221;</title>
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	<description>Fuck art, let&#039;s dance</description>
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		<title>GalleryBeat &#8211; Dr. Lisa&#8217;s Vagina Hypothesis &#8211; Whitney Bi. 2010</title>
		<link>http://gallerybeat.net/2010/03/30/gallerybeat-dr-lisas-vagina-hypothesis-whitney-bi-2010/</link>
		<comments>http://gallerybeat.net/2010/03/30/gallerybeat-dr-lisas-vagina-hypothesis-whitney-bi-2010/#comments</comments>
		<pubDate>Tue, 30 Mar 2010 21:17:25 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
				<category><![CDATA[Home]]></category>
		<category><![CDATA["Whitney Biennial"]]></category>
		<category><![CDATA[2010 art]]></category>
		<category><![CDATA[Dr. Lisa Levy]]></category>
		<category><![CDATA[Flavorpill]]></category>
		<category><![CDATA[Gallery Beat TV]]></category>
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		<category><![CDATA[kate Gilmore]]></category>
		<category><![CDATA[museum New York]]></category>
		<category><![CDATA[paul h-o]]></category>

		<guid isPermaLink="false">http://gallerybeat.net/?p=1926</guid>
		<description><![CDATA[GalleryBeat Media covers the Whitney Biennial 2010.
This is a small sample of coverage for this much anticipated show that has about as much juice as the Democrats in the Senate.
One of the more provocative installation pieces was by Kate Gilmore; a video of the artist beating her way out of a sheetrock closet with no [...]]]></description>
			<content:encoded><![CDATA[<p>GalleryBeat Media covers the Whitney Biennial 2010.<br />
This is a small sample of coverage for this much anticipated show that has about as much juice as the Democrats in the Senate.<span id="more-1926"></span></p>
<p>One of the more provocative installation pieces was by Kate Gilmore; a video of the artist beating her way out of a sheetrock closet with no doors or windows. She has apparently been walled in with a camera located from above when Dr. Lisa Levy posits a possible analysis the catches some traction &#8211; in Flavorpill.</p>
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		<title>1993-95 Whitney Biennial &#8211; Outrage and Fun</title>
		<link>http://gallerybeat.net/2010/01/06/1993-95-whitney-biennial-outrage-and-fun/</link>
		<comments>http://gallerybeat.net/2010/01/06/1993-95-whitney-biennial-outrage-and-fun/#comments</comments>
		<pubDate>Wed, 06 Jan 2010 18:41:34 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
				<category><![CDATA[Classic GBTV]]></category>
		<category><![CDATA[Home]]></category>
		<category><![CDATA["1993 Whiney Biennial"]]></category>
		<category><![CDATA["Art/TV Gallery Beat"]]></category>
		<category><![CDATA["Charles Ray"]]></category>
		<category><![CDATA["Chris Burden"]]></category>
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		<category><![CDATA["Elizabeth Sussman"]]></category>
		<category><![CDATA["Guillermo Gomez-Pena"]]></category>
		<category><![CDATA["Nancy Spero"]]></category>
		<category><![CDATA["Whitney Biennial"]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[charlie finch]]></category>
		<category><![CDATA[guest of cindy sherman]]></category>
		<category><![CDATA[JOHN WATERS]]></category>
		<category><![CDATA[paul h-o]]></category>
		<category><![CDATA[Stephanie Theodore]]></category>
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		<category><![CDATA[Walter Robinson]]></category>

		<guid isPermaLink="false">http://gallerybeat.net/?p=1695</guid>
		<description><![CDATA[Gallery Beat (now GalleryBeat) really began with the high-powered Whitney biennial of 1993 - if you google that year you will find that it is the most explosive Biennial on record.Race and gender was a big theme and artists with strong political orientation in their work used the Biennial as a platform to vent their [...]]]></description>
			<content:encoded><![CDATA[<p>Gallery Beat (now GalleryBeat) really began with the high-powered Whitney biennial of 1993 <span id="more-1695"></span>- if you <a href="http://www.google.com/search?hl=en&amp;client=safari&amp;rls=en&amp;q=1993+whitney+biennial&amp;aq=0&amp;oq=1993+whitney+bi&amp;aqi=g1">google that year</a> you will find that it is the most explosive Biennial on record.Race and gender was a big theme and artists with strong political orientation in their work used the Biennial as a platform to vent their provocative ideas. The interweb hadn&#8217;t been up to speed (it barely existed) so it was up to print and TV media to go starkers. Which they did. The &#8216;93 Whitney Bi became the poster child of all that what was wrong with contemporary art and how twisted it was. As far as GBTV was concerned, this was action TV and the best Biennial we&#8217;ve ever seen. Check out the <a href="http://www.guerrillagirls.com/posters/whitey.shtml">Guerilla Girls poster</a> for the &#8216;93 WhitBi. More of the Whitney show itself is catapulted to the forefront in our film <a href="http://www.apple.com/trailers/independent/guestofcindysherman/">&#8220;Guest of Cindy Sherman&#8221;</a>&#8230;. And the artist that calls Charlie Finch an asshole  there is Paula Hayes, as he said in comment.</p>
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