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tagged with: paul h-o
June 9th, 2011 • Paul H-O
David Hammons, The Man Nobody Killed screened spray paint on corrugated cardboard, 8.5"X11", 1986
By Paul H-O
How was I to know David Hammons would become huge? I did not. I never thought about it. I'd met Mr. Hammons at the Horseshoe Bar (or Vazacs) at 7th St. and Ave. B in 1984 or '85 through artist Cynthia Kuebel when she was living on Clinton St. near Delancey. I'd only moved to New York in September of '84 because I'd curated a traveling group multi-media exhibition I named SF/SF (San Francisco Science Fiction) and it was the the season opener at PS 1's Clocktower after being at the S.F. Arts Commission Gallery. It was a post-art-punk installation of metal mechanical sculpture, some paintings, and some photographs my partner and 2nd co-curator Jo Babcock and I had driven in a rented U-Haul 24 foot truck. Once I got to NY after that trip from San Francisco, I had just enough personal belongings in that truck to live in New York.
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May 17th, 2011 • Paul H-O
Serendipity, cohesion, and conceptual width. Until May 28 at Elga Wimmer PCC 526 West 26th Street #310 New York, NY 10001 ARTISTS: Gabriel Barcia-Colombo, Melanie Bonajo, T.R. Ericsson, Faith Holland, Yeji Jun, Lisa Levy, Sono Osato, Carrie Mae Rose, Jason Swift, Jil Weinstock
http://www3.fitnyc.edu/artmarket/pieceofmind/pr.html What happens when a fresh faced group of twelve F.I.T. graduate student curators spend a year combing the New York art base more »
May 4th, 2011 • Paul H-O
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| Most of the major museums of the US have signed petitions calling for the release of artist/dissident Ai WeiWei, believed to be incarcerated by the Chinese Government. Who knows? The Chinese have proven to be snowblind to any human rights other than to produce and purchase consumer materials - otherwise all bets are off. The Warhol Foundation is a bit late to the Free Ai Wei Wei groove in releasing their printed actions, but there it is. It's a bit of a no-brainer to take a stand on Wei Wei but it does serve of a reminder that yesterday's hot topics don't go away just because the mainstream media moves to the next thing - and I have to admit dispatching Bin Laden is a BIG DEAL. The following announcement is the unabridged press release from a friendly source at the Warhol Foundation. (H-O) |
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The Andy Warhol Foundation for the Visual Arts and the Robert Rauschenberg Foundation join the global arts community in calling for the release of artist Ai Weiwei. The detention more » | |
April 30th, 2011 • Paul H-O
This is the extreme FX charged version of DECODED edited by Garett Holden. We worked on the early versions until it was clear that we needed to collate the story arc that kept expanding as we went, so then I laid down a 30 minute story edit and from there created a series of video platforms that told the Jim Evans story, called DECODED, in a variety of more »
April 20th, 2011 • Paul H-O
JIM Evans DECODED Video Trailer V5...
Statement - The Process and Honing a Video Until It's Finally Imperfect...
The ongoing epic video platforms about the graphic art of underground comics, rock, and movie posters by Jim Evans, Evans discusses his early influences , his work with R, Crumb, Rick Griffin, the creation of TAZ, more »
April 20th, 2011 • Paul H-O
RERUN - FOR THE FIRST TIME - I capture the moment that hadn't happened in New York since the 1990's - a video portrait of George Herms working on a new installation at Nyehaus to include in his show of work dating back to 1962. He is the incredible inimitable George Herms, the royal jester King of a generation of artists that began producing the found object assemblage and manufactured objects beyond ordinary recognition. George made the impossible possible, he provides material clues to the surreal manner of talking about his work.
Special appearance by artist Fred Tomaselli.
Directed by Paul H-O
Edited by Gaia Balidini
Videotaped at Nyehaus 8/10
Music by George Herms and Thelonious Monk
April 11th, 2011 • Paul H-O
Part 1:
Before the film had a shape or content I wrote a story script titled GUEST OF CINDY SHERMAN based on a real experience that in one night, changed my life, but not necessarily for the better. I then invited a group of of friends and filmmakers to the studio, threw out the script and delivered a monologue about living with Cindy and forgetting what I was doing. Then we made the film and it only took five years. Taped in front of a live audience at Filmlike Studio, Tribeca NY, in 2003.
Paul H-O
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