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	<title>GalleryBeat &#187; gallerybeat tv</title>
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		<title>Classic GalleryBeat Television &#8211; Gramercy Art Fair, Cathy Speaks Frankly</title>
		<link>http://gallerybeat.net/2012/01/25/classic-gallerybeat-television-gramercy-art-fair-cathy-speaks-frankly/</link>
		<comments>http://gallerybeat.net/2012/01/25/classic-gallerybeat-television-gramercy-art-fair-cathy-speaks-frankly/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 07:55:22 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=3649</guid>
		<description><![CDATA[Episode 75 Part 1 of 3 (First time we meet Tracey Emin, empty room, unknown, chilly dealer bloke, can&#8217;t take a joke) lol
Same copy. 
A long time ago, in the distant year 1994, medium-sized New York art dealers Pat Hearn, Colin De Land, and Lisa Spellman started an art fair in the the historically seedy [...]]]></description>
			<content:encoded><![CDATA[<p><P>Episode 75 Part 1 of 3 (First time we meet Tracey Emin, empty room, unknown, chilly dealer bloke, can&#8217;t take a joke) lol<br />
Same copy. </P><br />
A long time ago, in the distant year 1994, medium-sized New York art dealers Pat Hearn, Colin De Land, and Lisa Spellman started an art fair in the the historically seedy Gramercy Hotel, famous for housing rock bands on tour and for it&#8217;s piano bar.<span id="more-3649"></span> It was also located right across the street from very tony Gramercy Park, exclusive to the residents of said park, and you still need a key to enter it. This was the beginning of the contemporary art fair in the U.S., and would ultimately become one of the most lucrative trade fairs for art on earth, The Armory Show. I used to look forward to hitting the Gramercy Art Fair, with it&#8217;s funky rooms turned into funkier New York and international galleries. Almost everyone had a bathroom show, and there were plenty of galleries we would never see again on the planet. Basically, it was a home-made art fair, on the cheap and using all the creativity artist and dealer could drum up for a 3 day run of fun, and maybe a sale or two.</p>
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		<title>Flesh of the Machine &gt; Artist Sono Osato</title>
		<link>http://gallerybeat.net/2011/10/20/flesh-of-the-machine-artist-sono-osato/</link>
		<comments>http://gallerybeat.net/2011/10/20/flesh-of-the-machine-artist-sono-osato/#comments</comments>
		<pubDate>Thu, 20 Oct 2011 21:35:35 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=3475</guid>
		<description><![CDATA[Uploaded by filmlikefilms on Oct 14, 2011
Sono Osato, artist. This is a short studio visit and taping I did during the 2011 Dumbo Festival in late September. It&#8217;s fascinating to see the array of old manual typewriters and calculators that are gutted to create buoyant metal core mixed media assemblage, along with new paintings that [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Uploaded by filmlikefilms on Oct 14, 2011</strong></p>
<p><a href="http://www.sonoosato.com/sono.html">Sono Osato, artist</a>. This is a short studio visit and taping I did during the 2011 Dumbo Festival in late September. It&#8217;s fascinating to see the array of old manual typewriters and calculators that are gutted to create buoyant metal core mixed media assemblage, along with new paintings that incorporate some metal elements but  conveys her deep involvement with the roots of visual language in a passionate freeform style that I would describe as &#8220;beautifully beyond&#8221;. It&#8217;s the here and now but the history of how visual language can seem like a slow volcanic eruption.  Sono has shown her work extensively on the West Coast and is represented by The Brian Gross Gallery in San Francisco. <span id="more-3475"></span> Also in the clips &#8211; photographer Jung Nam Lee and at the end is a clip from the GalleryBeat Talk Show at the The Brooklyn Museum with Lisa Levy and Pat Daughtery. Music by Ben Neill and GB opening edited by Garett Holden.</P></p>
<p><P>Note: Sono Osato is part of the GalleryBeat production team, a loose knit group of creative volunteers I naturally am supportive of, because friendship and community make what I do possible. </P></p>
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		<title>Cooking with GalleryBeat @ Pierogi 2000 Show #2 with Oliver Wasow</title>
		<link>http://gallerybeat.net/2011/08/29/cooking-with-gallerybeat-piergo-2000-show-2-with-oliver-wasow/</link>
		<comments>http://gallerybeat.net/2011/08/29/cooking-with-gallerybeat-piergo-2000-show-2-with-oliver-wasow/#comments</comments>
		<pubDate>Tue, 30 Aug 2011 01:08:10 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=3069</guid>
		<description><![CDATA[CWGB Talk@Piergo 2000 Show #2 -Facebook phenom Oliver Wasow is an acclaimed photography-based artist who also ran one of the best East Village art galleries in the 1980&#8217;s: C.A.S.H Newhouse. Not only is his work in international collections, it has also graced the covers of Popular Mechanics and Visonaire. We, on the other hand, had [...]]]></description>
			<content:encoded><![CDATA[<p>CWGB Talk@Piergo 2000 Show #2 -Facebook phenom <a href="http://www.oliverwasow.com/">Oliver Wasow</a> is an acclaimed photography-based artist who also ran one of the best East Village art galleries in the 1980&#8217;s: C.A.S.H Newhouse. Not only is his work in international collections, it has also graced the covers of Popular Mechanics and Visonaire. We, on the other hand, had noticed that he had garnered a huge following on Fb for his amazingly funny found photographs. He was working on a major book of found photographs. It was quite an interview that began on an easy pace, but like a sentence that scrunches down to tiny letters at the end &#8211; you could say that&#8217;s what happened &#8211; he needed an hour and we only had 20 minutes. He was great, but never said a word to me since. I guess we could have added actual images but got sidetracked or I got lazy. Check out his site though, wonderful work.</p>
<p>Correction &#8211; the gallery is named Pierogi 2000 is now corrected on the headline &#8211; sorry!</p>
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		<title>Odd Nerdum Thrown in Joint for Tax Jam</title>
		<link>http://gallerybeat.net/2011/08/23/odd-nerdum-thrown-in-joint-for-tax-jam/</link>
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		<pubDate>Tue, 23 Aug 2011 20:12:04 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2998</guid>
		<description><![CDATA[From Artinfodotcom via News from Norway]]></description>
			<content:encoded><![CDATA[<p>From <a href="http://ht.ly/6aN19">Artinfodotco</a>m via News from Norway<a rel="attachment wp-att-3001"<br />
<a href="http://gallerybeat.net/2011/08/23/odd-nerdum-thrown-in-joint-for-tax-jam/screen-shot-2011-08-23-at-3-56-50-pm-2/" rel="attachment wp-att-3019"><img src="http://gallerybeat.net/wp-content/uploads/2011/08/Screen-shot-2011-08-23-at-3.56.50-PM2-425x254.png" alt="" title="Screen shot 2011-08-23 at 3.56.50 PM" width="425" height="254" class="aligncenter size-medium wp-image-3019" /></a><br />
August 19, 2011</p>
<p>Odd Nerdrum, the Norwegian artist sentenced to two years in jail for tax evasion, won’t be allowed to keep painting in prison. He’s appealing his sentence, but if it stands, the 67-year-old Nerdrum will have to leave his brushes and easels behind.<br />
<br />
<P>Newspaper <em>Aftenposten</em> reported that the Justice Ministry has stressed that convicted prisoners aren’t allowed to continue their business activities while held in custody. For someone like Nerdrum, who has lived off income from sales of his artwork, his passion for painting will thus conflict with regulations governing prison terms.</p>
<p><P>It’s different for other convicts, who have been allowed to paint, read or conduct approved hobbies as a means of passing the time in jail. <em>Aftenposten</em> noted that convicted robber Johnny Thendrup, for example, sentenced to 13 years in prison for the commando-style NOKAS heist in 2004, took up his old hobby of painting while his case was pending. He has since continued to paint while incarcerated at the Ila prison for high-risk criminals outside Oslo.<span id="more-2998"></span></p>
<p><P>Nerdrum, however, won’t be able to do the same since his painting falls under the “business activity” category.</p>
<p><P>Nerdrum faces a tough appeal, since the court ruling against him was so strong and made clear that the court didn’t believe Nerdrum’s explanation for millions in undeclared income. Legal analysts continued this week to marvel over <a href="http://www.newsinenglish.no/2011/08/17/artist-odd-nerdrum-sentenced-to-jail/" target="_blank">how tough the ruling and Nerdrum’s sentence</a> were, and his own defense attorney seemed to agree.</p>
<p><P>“I have the impression that the court didn’t believe Nerdrum was credible,” Staff told <em>Aftenposten</em>. “Therefore he must prove his innocence.”</p>
<p><P>It was just earlier this year that another Norwegian artist, Vebjørn Sand, was proposing that Nerdrum be<a href="http://www.newsinenglish.no/2011/02/09/movement-starts-to-hail-odd-nerdrum/" target="_blank">awarded the right to live in Norway’s state-funded honorary home</a> for leading artists called <em>Grotten</em>. Now it appears the state may wind up covering his living expenses after all, but under vastly different circumstances. Nerdrum has repaid taxes and fines owed and <a href="http://www.newsinenglish.no/2011/08/03/artist-pleads-not-guilty-to-tax-evasion/" target="_blank">maintains his innocence</a>, saying he wouldn’t have been able to paint if he had paid any more attention to numbers. The court seemed to believe that Nerdrum knew exactly what he was doing when he failed to report proceeds from art sales.</p>
<p><P>While many in Norway support relatively stiff prison terms for tax evasion, Nerdrum has won support and sympathy in artistic circles. Editor and publisher Anders Heger, for example, said he’s long worried that authors and artists, many of whom earn very little and don’t have the funds to spend on lawyers and accountants, are expected to file tax returns like those of large businesses. Heger noted how author Agnar Mykle also landed in major tax battles with the authorities, and he thinks tax issues in general are problematic for artists.</p>
<p>So does art professor Øivind Storm Bjerke. “There of course shouldn’t be exceptions for geniuses,” Bjerke told<em>Aftenposten</em>. “Artist Edvard Munch also had long discussions with the tax authorities.” But he called Nedrum’s prison term “strict,” and several others think there should be separate tax systems for business and cultural pursuits.</p>
<p><strong>Views and News from Norway/<a rel="self" href="mailto:nina@newsinenglish.no">Nina Berglund</a></strong></p>
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		<title>B. Wurtz Studio Interview Part 1 from 02/2000</title>
		<link>http://gallerybeat.net/2011/08/09/b-wurtz-studio-interview-part-1-from-022000/</link>
		<comments>http://gallerybeat.net/2011/08/09/b-wurtz-studio-interview-part-1-from-022000/#comments</comments>
		<pubDate>Tue, 09 Aug 2011 23:25:14 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2743</guid>
		<description><![CDATA[The mysterious artist B. Wurtz. Mr. Wurtz has been represented by the Feature Inc. gallery since it&#8217;s inception in Chicago, and has now been in New York City since the early 1990&#8217;s.
Interviewed by Paul H-O
All Rights Reserved Paul H-O 2000
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			<content:encoded><![CDATA[<p>The mysterious artist B. Wurtz. Mr. Wurtz has been represented by the Feature Inc. gallery since it&#8217;s inception in Chicago, and has now been in New York City since the early 1990&#8217;s.</p>
<p>Interviewed by Paul H-O</p>
<p>All Rights Reserved Paul H-O 2000</p>
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		<title>The Dark Arts Edition: Anglo-Filing!  Murdoch&#8217;s News of the World Spins Out of Control Brings Down British PM and Hundreds More</title>
		<link>http://gallerybeat.net/2011/07/07/the-dark-arts-edition-anglo-filing-murdochs-news-of-the-world-spins-out-of-control-brings-down-british-pm-and-hundreds-more/</link>
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		<pubDate>Thu, 07 Jul 2011 22:36:19 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<description><![CDATA[Magnolia Treet &#8211; The Opinions Expressed Are Not Yours or His &#8211; a new column


First off, I would like to say welcome and thank you for reading my new column. GalleryBeat Media, as Mr. H-O likes to call it, has been quiet and rather dusty as he chases after documentary film subjects while letting this [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Magnolia Treet &#8211; The Opinions Expressed Are Not Yours or His &#8211; a new column</strong></p>
<p><strong><br />
</strong></p>
<p><P>First off, I would like to say welcome and thank you for reading my new column. <strong>GalleryBeat Media</strong>, as Mr. H-O likes to call it, has been quiet and rather dusty as he chases after documentary film subjects while letting this perfectly nice piece of real estate right here lay fallow. I told Mr. H-O that I would be happy to take care of his little estate in return for room, board and cultural opinion/enlightenment in his squalid little guest house.</p>
<p><P>I have been intrigued by the arrest of <a href="http://www.nytimes.com/2011/07/08/nyregion/strauss-kahn-case-involves-questions-of-lust-and-greed.html">Dominique Straus-Kahn</a> here in New York and what a mess it&#8217;s become because it was about sex. We don&#8217;t know what kind of sex took place but if the news reports are nominally factual it would seem that Mons. Straus-Kahn left his manly signature splashed about his posh hotel room. Even discounting the maid&#8217;s contention of rape to say, half rape, it&#8217;s still a mess and if you don&#8217;t know who DSK is then you may have to search International Monetary Fund ex-chairman and likely-dashed-hope-future president of France. Now the accuser has brought suit against Rupert Murdoch&#8217;s NY Post for calling her a prostitute on the front page.</p>
<p><P>What has this to do with Paris or London or art?</p>
<p><P><span id="more-2714"></span>It&#8217;s not as disconnected as you would think, though it has scant connection to the business of art, which is the staple of the professional participants of masterful deception cloaked in academic palaver. Deception is the key, history plays a role, sex and subterfuge mark the twists that bring down the house on both sides of the Channel, or the Atlantic Ocean. (for the art connection see <a href="http://www.slate.com/id/2289282/entry/2289287/">Paris for Perverts, Slate.com</a>)</p>
<p><P>Since the French are relaxed about sexual escapades then it&#8217;s interesting that it may have derailed DSK from the presidency, and the British are historically shaking with unquenched sexual desire yet seem to have no problem with parliament and tabloids snogging over their Pimm&#8217;s cups at polo matches. Until now. (The Americans are hysterical about everything, almost all the time)</p>
<p><P>The speed at which things are unraveling is breathtaking. The Murdochs are back paddling like mad and even killing off their tabloids may not suffice. It&#8217;s like a fairy tale.</p>
<p><P>On July the 4th, just the other day; <a href="http://www.guardian.co.uk/uk/2011/jul/04/milly-dowler-voicemail-hacked-news-of-world">Nick Davies, the dogged reporter for the Guardian</a>, reported the extremely poor treatment by Rupert Murdoch&#8217;s News of the World had hacked the cellular phone of a murdered 13 year old girl named Milly Dowler. The case had been going on for years, but the new allegations are so damning,<strong><em> it may very well bring down David Cameron, </em></strong>the current Prime Minister of England. Murdoch&#8217;s NoW &#8220;Hackergate&#8221;  has roiled the readership and beyond, the People want blood. Now the houses of Parliament are screaming because they had been hacked just as badly as the celebrities or Royals. It just goes into the sewer, and then the tabloids go to press.</p>
<p><P>I think it&#8217;s interesting that movie star<a href="http://www.bbc.co.uk/news/uk-14052690"> Hugh Grant</a> had declared back in May 2011 that all the Fleet Street tabloids should be out of business, the sooner the better. Mr. Grant had been the victim of <a href="http:http://www.bbc.co.uk/news/uk-politics-14034060//">NoW&#8217;s cellular hacking</a>, his PIN #s, his banking information, his relative&#8217;s private information and now the police have said that thousands of people had been hacked, not just celebrities or royals that hadn&#8217;t got much public sympathy until now. That the police were hacked along with terror victims families from 7/7, so that doesn&#8217;t help Dr. NoW&#8217;s cause very much either.</p>
<p><P>Since today is 7/7.</p>
<p><P>Thank you!<br />
MT</p>
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		<title>Piece of Mind Cake</title>
		<link>http://gallerybeat.net/2011/05/17/piece-of-mind-cake/</link>
		<comments>http://gallerybeat.net/2011/05/17/piece-of-mind-cake/#comments</comments>
		<pubDate>Tue, 17 May 2011 17:35:56 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2630</guid>
		<description><![CDATA[Serendipity, cohesion, and conceptual width. Until May 28 at Elga Wimmer PCC 526 West 26th Street #310  New York, NY 10001    ARTISTS:  Gabriel Barcia-Colombo, Melanie Bonajo, T.R. Ericsson, Faith Holland, Yeji Jun, Lisa Levy, Sono Osato, Carrie Mae Rose, Jason Swift, Jil Weinstock
http://www3.fitnyc.edu/artmarket/pieceofmind/pr.html What happens when a fresh faced group of twelve F.I.T. [...]]]></description>
			<content:encoded><![CDATA[<h6>Serendipity, cohesion, and conceptual width. Until May 28 at Elga Wimmer PCC 526 West 26th Street #310  New York, NY 10001    ARTISTS:  Gabriel Barcia-Colombo, Melanie Bonajo, T.R. Ericsson, Faith Holland, Yeji Jun, Lisa Levy, Sono Osato, Carrie Mae Rose, Jason Swift, Jil Weinstock<br />
<a rel="nofollow" href="http://www3.fitnyc.edu/artmarket/pieceofmind/pr.html" target="_blank">http://www3.fitnyc.edu/artmarket/pieceofmind/pr.html</a> What happens when a fresh faced group of twelve F.I.T. graduate student curators spend a year combing the New York art base <span id="more-2630"></span>from galleries to studios? Not only do they come up with ten artists, two of whom are GalleryBeat artists that work with us on production, but their professor is John Post Lee of Bravin Lee Projects. Seredipity, cohesion, and conceptual width. What I like about this particular set of artists and curators is happy enthusiasm, even from veteran artists who catch the bubbly vibe of the F.I.T. tribe right down to a guy as cranky as me, and their teacher, John Lee.</h6>
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		<title>The Moving Story of The Mercer Street Medical Case (3:40 trailer)</title>
		<link>http://gallerybeat.net/2011/04/27/the-moving-story-of-the-mercer-street-medical-case-340-trailer/</link>
		<comments>http://gallerybeat.net/2011/04/27/the-moving-story-of-the-mercer-street-medical-case-340-trailer/#comments</comments>
		<pubDate>Thu, 28 Apr 2011 01:47:16 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2603</guid>
		<description><![CDATA[My version of Dr. House is real.
New Documentary by Paul H-O in production &#8211; It&#8217;s about Dr. Daryl Isaacs,  the uniquely brilliant and prolific internist, gives me his story of  the struggle with the American medical establishment fix &#8211; all  specialists and no GP&#8217;s. He demonstrates in check form, the insanity of [...]]]></description>
			<content:encoded><![CDATA[<p>My version of Dr. House is real.<br />
New Documentary by Paul H-O in production &#8211; It&#8217;s about Dr. Daryl Isaacs,  the uniquely brilliant and prolific internist, gives me his story of  the struggle with the American medical establishment fix &#8211; all  specialists and no GP&#8217;s. He demonstrates in check form, the insanity of  &#8216;health insurance&#8217; companies, a massive patient load and the surprising  facts behind his inclusion in the film SUPERSIZE ME by new gen director  Morgan Spurlock.. Oh, and he loses the lease on his medical practice and  must move in May. It&#8217;s April now and I&#8217;m shooting.<br />
&#8220;New York the Land of Dissinchantment&#8221;<br />
Reporting By Paul H-O<br />
Rough imaginary trailer for documentary now in production. Test mashup, I  don&#8217;t want trouble I was just borrowing it.  2011 4/24/11<br />
A Filmlike Films and GalleryBeat Media Production<br />
Music by Don Chambers of Athens, Georgia</p>
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		<title>THE ROCK POSTERS MILLIONS HAVE SEEN, FEW KNOW ABOUT, AND EVEN LESS POSSESS</title>
		<link>http://gallerybeat.net/2011/04/20/the-rock-posters-millions-have-seen-few-know-about-and-even-less-possess/</link>
		<comments>http://gallerybeat.net/2011/04/20/the-rock-posters-millions-have-seen-few-know-about-and-even-less-possess/#comments</comments>
		<pubDate>Wed, 20 Apr 2011 17:43:14 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2595</guid>
		<description><![CDATA[JIM Evans DECODED Video Trailer V5&#8230;
Statement &#8211; The Process and Honing a Video Until It&#8217;s Finally Imperfect&#8230;
The ongoing epic video platforms about the graphic art of underground comics, rock, and movie posters by Jim Evans, Evans discusses his early influences , his work with R, Crumb, Rick Griffin, the creation of TAZ, and Division13. U2, [...]]]></description>
			<content:encoded><![CDATA[<p>JIM Evans DECODED Video Trailer V5&#8230;</p>
<p>Statement &#8211; The Process and Honing a Video Until It&#8217;s Finally Imperfect&#8230;</p>
<p>The ongoing epic video platforms about the graphic art of underground comics, rock, and movie posters by Jim Evans, Evans discusses his early influences , his work with R, Crumb, Rick Griffin, the creation of TAZ,<span id="more-2595"></span> and Division13. U2, Pearl Jam, Sonic Youth, Foo Fighters, Blur, L7, Soundgarden, Fugazi, Smashing Pumpkins were just a few of the bands that changed the sound of rock in the &#8217;90&#8217;s. Evans had drawn a new kind of poster. It didn&#8217;t get pasted on a wall, it was the created LTD edition for the bands, in a humorous, cartoonish dark irony, and the musicians freely discussed graphic ideas that Evans and TAZ would posit. Though the avant-punk movement had moved the poster bar to surreal abjection, Evans and TAZ moved the context one step further &#8211; you couldn&#8217;t find the face of a musician gracing the composition, reflecting a brief moment in rock history where the music superseded celebrity image neediness. The result was a new style of imagery that reached stadium proportions for the infamous early Lollopalooza festivals.   Paul H-O  2011 NYC</p>
<p>Production assembly private use not for distribution or commercial use.</p>
<p>Filmlike Films and Paul H-O</p>
<p>Temporary use of Follow Your Bliss by the B-52&#8217;s</p>
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		<title>GEORGE HERMS &#8211; FIVE DECADES OF MADNESS</title>
		<link>http://gallerybeat.net/2011/04/20/george-herms-five-decades-of-madness-2/</link>
		<comments>http://gallerybeat.net/2011/04/20/george-herms-five-decades-of-madness-2/#comments</comments>
		<pubDate>Wed, 20 Apr 2011 17:11:23 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2590</guid>
		<description><![CDATA[RERUN &#8211; FOR THE FIRST TIME &#8211; I capture the moment that hadn&#8217;t happened in New York since the 1990&#8217;s &#8211; a video portrait of George Herms working on a new installation at Nyehaus to include in his show of work dating back to 1962. He is the incredible inimitable George Herms, the royal jester [...]]]></description>
			<content:encoded><![CDATA[<p>RERUN &#8211; FOR THE FIRST TIME &#8211; I capture the moment that hadn&#8217;t happened in New York since the 1990&#8217;s &#8211; a video portrait of George Herms working on a new installation at Nyehaus to include in his show of work dating back to 1962. He is the incredible inimitable George Herms, the royal jester King of a generation of artists that began producing the found object assemblage and manufactured objects beyond ordinary recognition. George made the impossible possible, he provides material clues to the surreal manner of talking about his work.<br />
Special appearance by artist Fred Tomaselli.<br />
Directed by Paul H-O<br />
Edited by Gaia Balidini<br />
Videotaped at Nyehaus 8/10<br />
Music by George Herms and Thelonious Monk</p>
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		<title>Guest of Cindy Sherman &#8211; the RAW first monologue by Paul H-O (trailer)</title>
		<link>http://gallerybeat.net/2011/03/31/guest-of-cindy-sherman-the-raw-first-monologue-by-paul-h-o-trailer/</link>
		<comments>http://gallerybeat.net/2011/03/31/guest-of-cindy-sherman-the-raw-first-monologue-by-paul-h-o-trailer/#comments</comments>
		<pubDate>Fri, 01 Apr 2011 03:00:25 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2552</guid>
		<description><![CDATA[Before the film had a shape or content I wrote a story  script titled GUEST OF CINDY SHERMAN. I then invited a group of of friends and filmmakers to the studio, threw out the script and delivered a monologue about living with Cindy and forgetting what I was doing. Then we made the film and [...]]]></description>
			<content:encoded><![CDATA[<p>Before the film had a shape or content I wrote a story  script titled GUEST OF CINDY SHERMAN. I then invited a group of of friends and filmmakers to the studio, threw out the script and delivered a monologue about living with Cindy and forgetting what I was doing. Then we made the film and it only took five years. Taped in front of a live audience at Filmlike Studio, Tribeca NY, in 2003.</p>
<p>The Feature Documentary GUEST OF CINDY SHERMAN on DVD and download &#8211; GalleryBeat.net and Amazon, iTunes, The Sundance Channel, Sky Arts Britain, Trela Media Distribtution</p>
]]></content:encoded>
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		<title>I Like the Art World and The Art World Likes Me</title>
		<link>http://gallerybeat.net/2011/03/05/i-like-the-art-world-and-the-art-world-likes-me/</link>
		<comments>http://gallerybeat.net/2011/03/05/i-like-the-art-world-and-the-art-world-likes-me/#comments</comments>
		<pubDate>Sat, 05 Mar 2011 17:43:40 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2518</guid>
		<description><![CDATA[GalleryBeat Media Report:  GO SEE THE SHOW OPEN UNTIL MARCH 5
Curated by Eric Doeringer, this artist manque group show (look it up) delivers a number of blows against the Empire. Exhibited in the less spacious gallery it inhabited in Chelsea, even the non-profit Elizabeth Foundation in it&#8217;s present space serves as a gritty reminder that [...]]]></description>
			<content:encoded><![CDATA[<div id="_mcePaste">GalleryBeat Media Report:  GO SEE THE SHOW OPEN UNTIL MARCH 5</div>
<div id="_mcePaste">Curated by Eric Doeringer, this artist manque group show (look it up) delivers a number of blows against the Empire. Exhibited in the less spacious gallery it inhabited in Chelsea, even the non-profit Elizabeth Foundation in it&#8217;s present space serves as a gritty reminder that all is not well in the art world masked in image maintenance. They could use some shades, that would help. The show itself is hilarious and informative while exhibiting an excellent skill set of art that dares to critique artist and the establishment the artist so dearly wants to be part of, maybe.</div>
<div>EFA Project Space, 323 W 39th St. NYC  <strong>Part 1</strong> Hosted by Paul H-O and Lisa Levy assisted by Phil Beuhler. GalleryBeat. net is  almost non-commercial, we&#8217;d like to change that.</div>
]]></content:encoded>
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		<title>GalleryBeat Talk Show #4 Highlights Composer Pat Daugherty &#8211; Part 2 of 6</title>
		<link>http://gallerybeat.net/2011/02/10/gallerybeat-talk-show-4-highlights-composer-pat-daugherty-part-2-of-6/</link>
		<comments>http://gallerybeat.net/2011/02/10/gallerybeat-talk-show-4-highlights-composer-pat-daugherty-part-2-of-6/#comments</comments>
		<pubDate>Thu, 10 Feb 2011 18:47:26 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2485</guid>
		<description><![CDATA[The amazing and versatile composer/musician Pat Daugherty entertains us with stories and music from his recent exploits with Snoop Dogg, Ornette Coleman, David Bowie, and Los Ballets des Folkloricos. Paul spills water on his laptop and Lisa loses track of the guest line-up. Very GalleryBeat.
From the Cooking with GalleryBeat Live Show at BravinLee Programs in [...]]]></description>
			<content:encoded><![CDATA[<p>The amazing and versatile composer/musician Pat Daugherty entertains us with stories and music from his recent exploits with Snoop Dogg, Ornette Coleman, David Bowie, and Los Ballets des Folkloricos. Paul spills water on his laptop and Lisa loses track of the guest line-up. Very GalleryBeat.</p>
<p>From the Cooking with GalleryBeat Live Show at BravinLee Programs in New York on 1/29/11. Hosted by Paul H-O and Dr. Lisa and starring Phoebe Hoban (author of the new biography on painter Alice Neel), Pat Daughherty (composer/musician working with Snoop Dog to Ornette Coleman). Jena Friedman (comedian/actor TV &amp; film) Peter Bolte (director &#8211; Dandelion Man, The Greims) and John Post Lee of BravinLee gallery.</p>
]]></content:encoded>
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		<title>Danny DeVito Takes Down Filmmakers in Sweatfest</title>
		<link>http://gallerybeat.net/2011/01/03/2398/</link>
		<comments>http://gallerybeat.net/2011/01/03/2398/#comments</comments>
		<pubDate>Tue, 04 Jan 2011 03:39:12 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2398</guid>
		<description><![CDATA[DVD is out &#8211; buy it from the Guest of Cindy Sherman site! Out takes from the film interview with megastar Danny DeVito. Co-director Paul H-O introduces the clip for his Facebook friends (3 minutes) and makes it seem even longer. It was the unfounded understanding that Mr. DeVito is something of an art collector, [...]]]></description>
			<content:encoded><![CDATA[<p>DVD is out &#8211; buy it from the Guest of Cindy Sherman site! Out takes from the film interview with megastar Danny DeVito. Co-director Paul H-O introduces the clip for his Facebook friends (3 minutes) and makes it seem even longer. It was the unfounded understanding that Mr. DeVito is something of an art collector, and during the course of interviewing Mr. DeVito the directors Tom<span id="more-2398"></span> Donahue and Paul find that the art collecting reputation was more of a rumor, and that Mr. DeVito does not have much material interest in art or photography. This leaves the directors, especially Paul, in an awkward position, which the experienced raconteur Devito picks up on and uses that realization to reduce H-O to a stammering boob. We still plow on and get the funniest soundbites in the film, so it was worth every bead of sweat. Danny DeVito, good man.</p>
]]></content:encoded>
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		<title>Dolphin Cuts Off Artists&#8230;</title>
		<link>http://gallerybeat.net/2011/01/03/dolphin-cuts-off-artists/</link>
		<comments>http://gallerybeat.net/2011/01/03/dolphin-cuts-off-artists/#comments</comments>
		<pubDate>Tue, 04 Jan 2011 03:24:45 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2393</guid>
		<description><![CDATA[Nature is fast, beautiful, and lethal. He would have killed us for sure if we had tried to drop in on his wave. I personally would rather be killed by a dolphin than a shark, because they&#8217;re a lot more lovable.  H-O
Directed by Paul H-O, starring Jim Evans and Flipper,  Animal handler- FiFi Lebeouf, Camera- [...]]]></description>
			<content:encoded><![CDATA[<p>Nature is fast, beautiful, and lethal. He would have killed us for sure if we had tried to drop in on his wave. I personally would rather be killed by a dolphin than a shark, because they&#8217;re a lot more lovable.  H-O</p>
<p>Directed by Paul H-O, starring Jim Evans and Flipper,  Animal handler- FiFi Lebeouf, Camera- May Rigler</p>
]]></content:encoded>
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		<title>Jim Evans: Artist Decoded Trailer</title>
		<link>http://gallerybeat.net/2010/12/15/jim-evans-artist-decoded-trailer-3/</link>
		<comments>http://gallerybeat.net/2010/12/15/jim-evans-artist-decoded-trailer-3/#comments</comments>
		<pubDate>Wed, 15 Dec 2010 21:16:54 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2389</guid>
		<description><![CDATA[In the covert world of rock posters and the artists that create them,  there is a hierachy of trend setters that rarely come out behind the  wall of graphics. Jim Evans can trace his vector from working with Rick  Griffin and the psychedelic era, to working with Nirvana, Fugazi, U2 &#8211;  [...]]]></description>
			<content:encoded><![CDATA[<p>In the covert world of rock posters and the artists that create them,  there is a hierachy of trend setters that rarely come out behind the  wall of graphics. Jim Evans can trace his vector from working with Rick  Griffin and the psychedelic era, to working with Nirvana, Fugazi, U2<span id="more-2389"></span> &#8211;  from grunge to designing the entire backdrop for the first Lollapalooza  events. Keeping the edge Jim Evans has moved quietly from the explosive  glare of stadium rock to working with Dreamworks and Paramount, while  maintaining a low profile behind a pair of dark glasses and a black  Yankees cap.<br />
We bring him out in the open and find out what makes  Jim tick, which gets more interesting as we peel back some layers from  the archeology of visual rock.  Edited by Paul H-O.</p>
<p>THIS VIDEO EXPERIMENT IS NON-COMMERCIAL, NFS AND NOT FOR DISTRIBUTION</p>
]]></content:encoded>
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		<title>Dandelion Man: The DVD release</title>
		<link>http://gallerybeat.net/2010/12/15/dandelion-man-the-dvd-release/</link>
		<comments>http://gallerybeat.net/2010/12/15/dandelion-man-the-dvd-release/#comments</comments>
		<pubDate>Wed, 15 Dec 2010 20:55:37 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2381</guid>
		<description><![CDATA[Here we go: Peter Bolte is a good all-around filmmaker and good pal and he wants to release his newest feature film on DVD.  Excellent chance to become a micro-producer.  Hit &#8220;more&#8221; to see Peter&#8217;s links and info about the project:
&#8220;In Peter Bolte&#8217;s gritty feature film debut Dandelion Man, we follow  John Harper on [...]]]></description>
			<content:encoded><![CDATA[<p>Here we go: Peter Bolte is a good all-around filmmaker and good pal and he wants to release his newest feature film on DVD.  Excellent chance to become a micro-producer.  Hit &#8220;more&#8221; to see Peter&#8217;s links and info about the project:<span id="more-2381"></span></p>
<p>&#8220;In Peter Bolte&#8217;s gritty feature film debut Dandelion Man, we follow  John Harper on a downward spiral as he drifts through life self-absorbed  and unaware of the emotional damage he inflicts on those close to him.  That is, however, until he is forced to come to terms with his own past  and crippling baggage. This harrowing journey is shadowed by a haunting  score by Trevor Dunn.</p>
<p>Three years after its theatrical premiere, Dandelion Man is going to  be self-distributed on DVD. It has been a long time in the works.</p>
<p>Currently we are clearing up paperwork with the Screen Actors Guild,  designing the DVD artwork and compiling a small handful of special  features that will be included on the DVD.</p>
<p>And that is why we are here &#8212; We are seeking the final funds to  execute the DVD manufacturing for release in winter of 2011. All of the  money pledged will go to the final production and release costs.</p>
<p>Please take a few moments to view our Facebook page, website and  trailer to consider helping us get this project out to the public.&#8221;</p>
<p><a href="http://www.numbfilms.com/nav/dman_official.html">http://www.numbfilms.com/nav/dman_official.html</a></p>
<p><a href="http://www.numbfilms.com/">http://www.numbfilms.com/</a></p>
<p><a href="http://www.facebook.com/pages/Dandelion-Man/358098165703">http://www.facebook.com/pages/Dandelion-Man/358098165703</a></p>
]]></content:encoded>
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		<title>Classic GalleryBeat Television</title>
		<link>http://gallerybeat.net/2010/12/08/classic-gallerybeat-television-3/</link>
		<comments>http://gallerybeat.net/2010/12/08/classic-gallerybeat-television-3/#comments</comments>
		<pubDate>Wed, 08 Dec 2010 20:28:22 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2330</guid>
		<description><![CDATA[Episode 75  Part 3 of 3 &#8211; In the final portion of this Classic GBTV episode the crew starts in American Fine Arts Co.&#8217; showroom where they meet the host from Cash from Chaos, their public-access competition, go to Pat Hearn Gallery to get their fill of scatological photography and bathroom bliss, and end [...]]]></description>
			<content:encoded><![CDATA[<p>Episode 75  Part 3 of 3 &#8211; In the final portion of this Classic GBTV episode the crew starts in American Fine Arts Co.&#8217; showroom where they meet the host from Cash from Chaos, their public-access competition, go to Pat Hearn Gallery to get their fill of scatological photography and bathroom bliss, and end up in the Jay Jopling/White Cube showroom where they meet Jay Jopling and Tracey Emin (and her bed).<br />
A long time ago, in the distant year 1994, an art fair started by medium  sized art dealers Pat Hearn, Colin De Land, and Lisa Spellman started  an art fair in the the historically seedy Gramercy Hotel. This was the  beginning of the contemporary art fair in the U.S.<span id="more-2330"></span>, and would ultimately  become one of the most lucrative trade fairs for art on earth, The  Armory Show. I used to look forward to hitting the Gramercy Art Fair,  with it&#8217;s funky rooms turned into funkier New York and international  galleries. Almost everyone had a bathroom show, and there were plenty of  galleries we would never see again on the planet. Basically, it was a  home-made art fair, on the cheap and using all the creativity artist and  dealer could drum up for a 3 day run of fun, and maybe a sale or two.</p>
]]></content:encoded>
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		<title>Classic GalleryBeat Television</title>
		<link>http://gallerybeat.net/2010/12/08/classic-gallerybeat-television-2/</link>
		<comments>http://gallerybeat.net/2010/12/08/classic-gallerybeat-television-2/#comments</comments>
		<pubDate>Wed, 08 Dec 2010 20:26:28 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2328</guid>
		<description><![CDATA[Episode 75  Part 2 of 3 -In the second portion of this Classic GBTV episode the crew checks out the sculptures at Gagosian Gallery, make friends with the gals at the magazine booths, and end up in the American Fine Arts Co.&#8217;s showroom.
A long time ago, in the distant year 1994,   medium-sized [...]]]></description>
			<content:encoded><![CDATA[<p>Episode 75  Part 2 of 3 -In the second portion of this Classic GBTV episode the crew checks out the sculptures at Gagosian Gallery, make friends with the gals at the magazine booths, and end up in the American Fine Arts Co.&#8217;s showroom.<br />
A long time ago, in the distant year 1994,   medium-sized New York art dealers Pat Hearn, Colin De Land, and Lisa  Spellman started an art fair in the the historically seedy Gramercy  Hotel, famous<span id="more-2328"></span> for housing rock bands on tour and for it&#8217;s piano bar. It  was also located right across the street from very tony Gramercy Park,  exclusive to the residents of said park, and you still need a key to  enter it. This was the beginning of the contemporary art fair in the  U.S., and would ultimately become one of the most lucrative trade fairs  for art on earth, The Armory Show. I used to look forward to hitting the  Gramercy Art Fair, with it&#8217;s funky rooms turned into funkier New York  and international galleries. Almost everyone had a bathroom show, and  there were plenty of galleries we would never see again on the planet.  Basically, it was a home-made art fair, on the cheap and using all the  creativity artist and dealer could drum up for a 3 day run of fun, and  maybe a sale or two.</p>
]]></content:encoded>
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		<title>Classic GalleryBeat Television</title>
		<link>http://gallerybeat.net/2010/12/08/classic-gallerybeat-television/</link>
		<comments>http://gallerybeat.net/2010/12/08/classic-gallerybeat-television/#comments</comments>
		<pubDate>Wed, 08 Dec 2010 20:23:59 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2325</guid>
		<description><![CDATA[Episode 75  Part 1 of 3  -  In this first portion of the half hour Classic GBTV episode, the GalleryBeat Crew makes ready to storm the Second Annual Gramercy Hotel Art Fair.  Cathy has her &#8220;special defining moment,&#8221; Paul and Walter have their power struggle, and then the crew discuss their itinerary and what [...]]]></description>
			<content:encoded><![CDATA[<p>Episode 75  Part 1 of 3  -  In this first portion of the half hour Classic GBTV episode, the GalleryBeat Crew makes ready to storm the Second Annual Gramercy Hotel Art Fair.  Cathy has her &#8220;special defining moment,&#8221; Paul and Walter have their power struggle, and then the crew discuss their itinerary and what a bunch of snots the British are.  At the end the crew makes their first fair stop at Paula Cooper Gallery.<br />
A long time ago, in the distant year 1994,   medium-sized New York art dealers Pat Hearn, Colin De Land, and Lisa  Spellman started an art fair in the the historically seedy Gramercy  Hotel, famous <span id="more-2325"></span>for housing rock bands on tour and for it&#8217;s piano bar. It  was also located right across the street from very tony Gramercy Park,  exclusive to the residents of said park, and you still need a key to  enter it. This was the beginning of the contemporary art fair in the  U.S., and would ultimately become one of the most lucrative trade fairs  for art on earth, The Armory Show. I used to look forward to hitting the  Gramercy Art Fair, with it&#8217;s funky rooms turned into funkier New York  and international galleries. Almost everyone had a bathroom show, and  there were plenty of galleries we would never see again on the planet.  Basically, it was a home-made art fair, on the cheap and using all the  creativity artist and dealer could drum up for a 3 day run of fun, and  maybe a sale or two.</p>
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		<title>Rough Cut Surf Experiment by Paul H-O (with help by Jim Evans)</title>
		<link>http://gallerybeat.net/2010/09/30/rough-cut-surf-experiment-by-paul-h-o-with-help-by-jim-evans/</link>
		<comments>http://gallerybeat.net/2010/09/30/rough-cut-surf-experiment-by-paul-h-o-with-help-by-jim-evans/#comments</comments>
		<pubDate>Thu, 30 Sep 2010 22:18:48 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2305</guid>
		<description><![CDATA[Production test. V2V Productions. Rough cut concept. Using footage to  maximize available digital tape recordings that may or may not be used  in a commercial film product. Most likely not, and clearly only the  assembly of very short clips could be used were an entire documentary  film created. But film work [...]]]></description>
			<content:encoded><![CDATA[<p>Production test. V2V Productions. Rough cut concept. Using footage to  maximize available digital tape recordings that may or may not be used  in a commercial film product. Most likely not, and clearly only the  assembly of very short clips could be used were an entire documentary  film created. But film work is a process of assembly, and the creation  of many bits and pieces of things are eventually bolted into place.</p>
<p>Filmed by May Rigler<br />
Introduced by Ned Evans (he won&#8217;t know until informed)<br />
Produced by Miro, Nye, and H-O<br />
All Rights Reserved 2010</p>
]]></content:encoded>
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		<title>GalleryBeat&#8217;s New Opener</title>
		<link>http://gallerybeat.net/2010/09/23/gallerybeats-new-opener/</link>
		<comments>http://gallerybeat.net/2010/09/23/gallerybeats-new-opener/#comments</comments>
		<pubDate>Fri, 24 Sep 2010 02:19:19 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2299</guid>
		<description><![CDATA[Garett Holden grabbed ahold of the previous cartoon we patched like our fave jeans and designed a whole new/old opening spot crank up every show and every segment.
You can see Garett&#8217;s work on http://www.garettholden.com
]]></description>
			<content:encoded><![CDATA[<p>Garett Holden grabbed ahold of the previous cartoon we patched like our fave jeans and designed a whole new/old opening spot crank up every show and every segment.</p>
<p>You can see Garett&#8217;s work on <a href="http://">http://www.garettholden.com</a></p>
]]></content:encoded>
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		<title>Versailles Tourists Not So Into Murakami</title>
		<link>http://gallerybeat.net/2010/09/10/versailles-tourists-not-so-into-murakami/</link>
		<comments>http://gallerybeat.net/2010/09/10/versailles-tourists-not-so-into-murakami/#comments</comments>
		<pubDate>Fri, 10 Sep 2010 20:55:33 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2276</guid>
		<description><![CDATA[From a big-bosomed French maid to a Pepsi-guzzling monster, Japanese  artist Takashi Murakami&#8217;s outlandish manga visions overwhelm the Chateau  of Versailles, and not everyone is happy.  Check out the full story here.
]]></description>
			<content:encoded><![CDATA[<p>From a big-bosomed French maid to a Pepsi-guzzling monster, Japanese  artist Takashi Murakami&#8217;s outlandish manga visions overwhelm the Chateau  of Versailles, and not everyone is happy.  Check out the full story <a href="http://www.google.com/hostednews/afp/article/ALeqM5gW-jfa1uMy4840pWHuqw7WvHz6QQ">here</a>.</p>
]]></content:encoded>
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		<title>GEORGE HERMS &#8211; FIVE DECADES OF MADNESS</title>
		<link>http://gallerybeat.net/2010/09/09/george-herms-five-decades-of-madness/</link>
		<comments>http://gallerybeat.net/2010/09/09/george-herms-five-decades-of-madness/#comments</comments>
		<pubDate>Fri, 10 Sep 2010 05:27:56 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2195</guid>
		<description><![CDATA[filmlikefilms &#124; September 08, 2010
FOR THE FIRST TIME &#8211; I capture the moment that hadn&#8217;t happened in New York since the 1990&#8217;s &#8211; a video portrait of George Herms working on a new installation at Nyehaus to include in his show of work dating back to 1962. He is the incredible inimitable George Herms, the royal [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.youtube.com/user/filmlikefilms"><strong>filmlikefilms</strong></a> | September 08, 2010</p>
<p>FOR THE FIRST TIME &#8211; I capture the moment that hadn&#8217;t happened in New York since the 1990&#8217;s &#8211; a video portrait of George Herms working on a new installation at Nyehaus to include in his show of work dating back to 1962. He is the incredible inimitable George Herms, the royal jester King of a generation of artists that began producing the found object assemblage and manufactured objects beyond ordinary recognition. George made the impossible possible, he provides material clues to the surreal manner of talking about his work.</p>
<p>Special appearance by artist Fred Tomaselli.<br />
Directed by Paul H-O<br />
Edited by Gaia Balidini<br />
Videotaped at Nyehaus 8/10<br />
Music by George Herms and Thelonious Monk</p>
]]></content:encoded>
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		<title>Jim Evans and Paul Surf Malibu</title>
		<link>http://gallerybeat.net/2010/09/08/jim-evans-and-paul-surf-malibu/</link>
		<comments>http://gallerybeat.net/2010/09/08/jim-evans-and-paul-surf-malibu/#comments</comments>
		<pubDate>Wed, 08 Sep 2010 18:34:51 +0000</pubDate>
		<dc:creator>Paul H-O</dc:creator>
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		<guid isPermaLink="false">http://gallerybeat.net/?p=2182</guid>
		<description><![CDATA[Classic Psyche/Grunge/Alternative Graphic Artist Jim Evans brings me to  one of his fave local spots that I can actually name because it&#8217;s too  famous to keep a secret &#8211; you still need a pass: go with a local. We  witness the best surfers in history on a lucky break, and they never [...]]]></description>
			<content:encoded><![CDATA[<p>Classic Psyche/Grunge/Alternative Graphic Artist Jim Evans brings me to  one of his fave local spots that I can actually name because it&#8217;s too  famous to keep a secret &#8211; you still need a pass: go with a local. We  witness the best surfers in history on a lucky break, and they never  need a board. Just clean ocean and a lack of the fishing industries  stupid methods of providing sushi and canned tuna.<br />
Video by May Rigler</p>
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