tagged with: “Art/TV Gallery Beat”Art Net: The Life and Times of Walter Robinson by Andrew Russeth, The ObserverJanuary 25th, 2012 • Paul H-O New feature on the wily and wooly star of GalleryBeat Television, the artist, critic, editor of artnet.com magazine. Walter has been a good friend since 1988 and this is a very complex matrix of sources. The article itself reminds me a good cubist painting, like a Braque, an image I wouldn't expect at all. I may change my mind, but for now I'm happy that comprehensive attention is being paid to the eminent Walter (Mike) Robinson.Classic GBTV Seedy Television, Beautiful PeopleJanuary 25th, 2012 • Paul H-OClassic GalleryBeat Television - Gramercy Art Fair, Cathy Speaks FranklyJanuary 25th, 2012 • Paul H-OEpisode 75 Part 1 of 3 (First time we meet Tracey Emin, empty room, unknown, chilly dealer bloke, can't take a joke) lol Same copy. A long time ago, in the distant year 1994, medium-sized New York art dealers Pat Hearn, Colin De Land, and Lisa Spellman started an art fair in the the historically seedy Gramercy Hotel, famous for housing rock bands on tour and for it's piano bar. more »Classy GalleryBeat Television - Mark De Suvero, Gramercy Art FairJanuary 25th, 2012 • Paul H-OEpisode 75 Part 2 of 3 (sometimes I wish I could have had more discretion) A long time ago, in the distant year 1994, medium-sized New York art dealers Pat Hearn, Colin De Land, and Lisa Spellman started an art fair in the the historically seedy Gramercy Hotel, famous for housing rock bands on tour and for it's piano bar. It was also located right across the street from very tony Gramercy Park, exclusive to the residents of said park, and you still need a key to enter it. This was the beginning of the contemporary art fair in the U.S., and would ultimately become one of the most lucrative trade fairs for art on earth, The Armory Show. I used to look forward to hitting the Gramercy Art Fair, with it's funky rooms turned into funkier New York and international galleries. Almost everyone had a bathroom show, and there were plenty of galleries we would never see again on the planet. Basically, it was a home-made art fair, on the cheap and using all the creativity artist and dealer could drum up for a 3 day run of fun, and maybe a sale or two.GalleryBeat Live @ Brooklyn Museum with Kristin Bowler & Spencer TunickJanuary 11th, 2012 • Paul H-ODonate to GalleryBeat And while you're at it, sign up for our mailing list too!♥♥♥ Cooking with GalleryBeat @ The Brooklyn Museum Part 1 of 4November 28th, 2011 • Paul H-OThe GalleryBeat live talk show, COOKING WITH GALLERYBEAT, avoided the skillet again by not cooking with strange fruit. We performed at the Brooklyn Museum's architectural futurama, the Rubin Pavilion on October 6th, 2011 as part of the museum's Thursday Night Series. Guests for this show were Mercer St. Medical's Dr. Daryl Isaacs, ArtNews Chief Editor Robin Cembalest, Upright Citizens Brigade's Ann Carr, World artist man/wife team Spencer and Kristin Bowler Tunick, and BM's main event artist, Sanford Biggers. more »Artist Brian Alfred - Discussing His Experience With Healthcare as An ArtistNovember 17th, 2011 • Paul H-OARTIST BRIAN ALFRED - Interview 1 > 5 mins A few years back, he started to do well as an artist, first with New york art dealer Max Protetch, then Mary Boone, and then to London's mega gallery, Haunch of Venison. You can see his work on his website paintchanger.com. His work is a very distinctively skillful blend of painting, collage, and digital images that early on, focused on landscape but I first know him for his portraits that I saw in Mercer St. Medical, and worked back through his output to the work he is best known for. He was admired by his peers, known for extreme focus on his subject, a relentless work ethic and was approached by New York art dealers before he graduated. He'd encountered real interest for his work real fast, and deservedly so. The influences on his work run from Hokusai and Japanese woodblock print art to Warhol and Ruscha but of course there's more. (he grew up in Pittsburg PA) His work is clear, precise, and had gone though a palpable change since 9/11. It has, in many ways become neo-Orwellian. more » |








