Filmed over 15 years and including interviews with a veritable who's who of the art and entertainment world, Guest of Cindy Sherman takes an eye-opening look at what happens when a skeptical outsider finds himself romantically involved with the ultimate insider. BUY THE DVD »
Episode 75 Part 3 of 3 (a really wonderful moment with missed Pat Hearn, Kristin Bowler in the bumper, fun)
A long time ago, in the distant year 1994, an art fair started by medium sized art dealers Pat Hearn, Colin De Land, and Lisa Spellman started an art fair in the the historically seedy Gramercy Hotel. That is it I can't repeat it. It's all in 2 and 3.
Episode 75 Part 1 of 3 (First time we meet Tracey Emin, empty room, unknown, chilly dealer bloke, can't take a joke) lol
Same copy.
A long time ago, in the distant year 1994, medium-sized New York art dealers Pat Hearn, Colin De Land, and Lisa Spellman started an art fair in the the historically seedy Gramercy Hotel, famous for housing rock bands on tour and for it's piano bar. more »
Episode 75 Part 2 of 3 (sometimes I wish I could have had more discretion)
A long time ago, in the distant year 1994, medium-sized New York art dealers Pat Hearn, Colin De Land, and Lisa Spellman started an art fair in the the historically seedy Gramercy Hotel, famous for housing rock bands on tour and for it's piano bar. It was also located right across the street from very tony Gramercy Park, exclusive to the residents of said park, and you still need a key to enter it. This was the beginning of the contemporary art fair in the U.S., and would ultimately become one of the most lucrative trade fairs for art on earth, The Armory Show. I used to look forward to hitting the Gramercy Art Fair, with it's funky rooms turned into funkier New York and international galleries. Almost everyone had a bathroom show, and there were plenty of galleries we would never see again on the planet. Basically, it was a home-made art fair, on the cheap and using all the creativity artist and dealer could drum up for a 3 day run of fun, and maybe a sale or two.
The mysterious artist B. Wurtz. Mr. Wurtz has been represented by the Feature Inc. gallery since it's inception in Chicago, and has now been in New York City since the early 1990's.
Interviewed by Paul H-O
All Rights Reserved Paul H-O 2000
Tracey Emin and me go back a ways - and whatever people think of her work, they talk about it. And that is more important than merely puffing something up and moving on to the next neutered fashion. Ms. Emin has distinguished herself with a courageous exploration of psyche-exhibitionism and personal history that is done so deftly that she is a visible reminder that an artist can still make people pay attention. She's done it, she hasn't a thing to prove.
We still don't get along, and she still talks to me anyway.
H-O
co-hosted by Tamara Weg and cam by Aimee Graham
All rights reserved H-O 2010 GBM
Photo by Walter Robinson
First encounter with art dealer Jay Jopling and artist Tracey Emin. I didn't know her or her work, her, her dealer, nothing - Cathy and Walter knew a bit. They were British, superior beings, and not friendly and they were mad because people weren't crowded into their rooms. I liked Tracey though. Saucy smart, sexy and so put out that I didn't go crazy for her genius. It was an old game, but I'd say it's fun to be me sometimes. Walter Robinson hated them.
Such a good time though - especially in retrospect. I talked to her off and on since then, and we've never gotten along. I think she's great.
I got a load of Brit detractors, who hide behind handles, and she does seem to have a following of mentally challenged fans.
Paul H-O
RERUN - FOR THE FIRST TIME - I capture the moment that hadn't happened in New York since the 1990's - a video portrait of George Herms working on a new installation at Nyehaus to include in his show of work dating back to 1962. He is the incredible inimitable George Herms, the royal jester King of a generation of artists that began producing the found object assemblage and manufactured objects beyond ordinary recognition. George made the impossible possible, he provides material clues to the surreal manner of talking about his work.
Special appearance by artist Fred Tomaselli.
Directed by Paul H-O
Edited by Gaia Balidini
Videotaped at Nyehaus 8/10
Music by George Herms and Thelonious Monk